QUOTE(Ben @ Feb 6 2006, 08:59 PM) [snapback]13052[/snapback]
I remember reading some critic who said he thought that PG sourced himself too closely to Cooke's former manager and created a distorted picture. Not being an expert, I'm hardly the guy to judge his claim's veracity, but I'm curious to hear what you think.
Have you ever seen a recording of Cooke's Ed Sullivan performance of "You Send Me?" There's an .mpg floating around the Web.
To be honest, I either haven't yet read or merely skimmed through this period of the book. I'm about halfway through a straight read, but I've skipped ahead to chapters as I hear or think about a particular song. That said, I think the distorted picture complaints are greatly overstated.
As a brief backstory, the infamous Allen Klein is a primary source for a lot of Guralnick's research for the 1962-1964 period when Sam Cooke was setting up his own SAR label and the Tracey publishing arm of his business. Klein now owns both of those as part of his ABKCO empire, which were supposedly intended to be set up in trust to his children. As with his ownership of the Rolling Stones 1962-1971 catalog, most outside observers contend this was done largely through deceit.
The reviews I've seen in publications usually have my criticism about the exhaustive and exhausting detail, but didn't mention Guralnick's glossing over the Klein contractual matters. However, there's a few reviews on Amazon that have given the book zero or one star, essentially rendering the book worthless due to what they consider PG's bias. That and the fact that long before this book was published (and it's been at least 12 years in the making), Guralnick has been in ABCKO's employ penning liner notes for all of their reissues of Sam Cooke's catalog suggest there was some funny business going on.
I really don't care. I think the reminisces and archival info Klein and ABKCO contibute to the book are more valuable than a thesis that sets Allen Klein to be a thief and a liar. This book is not about Allen Klein. Plus it's only 2 or 3 years in Sam Cooke's life. And Klein is hardly Guralnick's only source. Hell, about 80 of the book's 740 or so pages are notes and sources. Sam's wife Barbara, his brother L.C. and Bobby Womack, who had little if any involvement in Daniel Wolff's recent Sam Cooke biography (which I haven't read so I can't compare), contribute heavily, and they don't always look particularly good doing it. Nobody does, frankly, and that's long before Allen Klein shows up.
I've seen that Ed Sullivan clip before in some history of rock documentary on TV. Apparently it's also on a DVD with a bunch of Sam Cooke's performances out there. According to
Dream Boogie, it was the second of two performances of "You Send Me". The first one, about a month previous, was cut off after a minute. After charges of racism and lots of pressure, he was invited back. The second Sullivan shot had the same effect on Sam's career that Elvis and the Beatles' appearances had on theirs: the song quickly went to #1.
Trivial fact from the book: "You Send Me" was the b-side of a cover of Gershwin's "Summertime," but in a tale all too familiar, all the DJs started turning it over and played "YSM" instead.